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Regardless of the overwhelming heterosexuality of main-stream news representations…

Regardless of the overwhelming heterosexuality of main-stream news representations…

Regardless of the overwhelming heterosexuality of conventional news representations, portrayals of homosexual and lesbian people on tv have grown to be significantly more prevalent since 1997 whenever Ellen became the very first tv series to own a gay leading character. This enhance is visible within the introduction of homosexual figures on numerous programs such as for instance Spin City, ER, Dawson’s Creek, and Buffy the Vampire Slayer, in addition to suggests that concentrate on homosexual figures in leading functions such as for instance Will and Grace and it is All general. In addition, cable channels have actually included programs such as for instance Queer as Folk, Six Feet Under, and Oz that depict homosexual figures much more complex plot lines and with more explicit sexual habits.

Even though existence of lgbt characters could have increased recently on both broadcast that is commercial cable systems, it really is not clear exactly exactly how often television addresses the intimate dilemmas and issues of intimate minorities.

As noted earlier in the day, when gay and lesbian figures have actually been incorporated into programs, they usually have usually been portrayed in asexual contexts. Furthermore, nearly all of just exactly what happens to be posted up to now about homosexuality and television is qualitative (including solitary show situation studies), emphasizing bisexual webcam just exactly just how particular programs have actually portrayed homosexual characters. Although many content analyses have actually evaluated the total amount of sexual content shown on television generally speaking (Cope Farrar & Kunkel, 2002; Greenberg et al., 1993; Kunkel et al., 1999, 2003; Kunkel, Cope Farrar, Biely, Maynard Farinola, & Donnerstein, 2001; Sapolsky & Tabarlet, 1991; Ward, 1995), none have actually reported from the prevalence of intimate portrayals and speak about sexual dilemmas associated with gays, lesbians, or bisexuals.

This paper centers on factors evaluating content that is nonheterosexual had been included as an element of two bigger content analyses examining intimate content more broadly on US television.

Information through the 2001 2002 and 2002 2003 tv periods are acclimatized to respond to questions concerning the prevalence and regularity of sexual behavior and intimate talk relating to nonheterosexuals. Especially, the info analyses address two broad research concerns: (1) from what extent are nonheterosexual sexual themes, particularly intimate behavior and speak about sex, present in tv programming general and just just what habits emerge across system genres, system kinds, and prime time versus nonprime time development? (2) When nonheterosexual intimate content does take place, what’s its regularity and exactly how does it differ across genres, style of system, and prime time versus nonprime time development?

System Examples

A 3 composite week sampling plan ended up being utilized to get two large annual random examples of tv programs of interest that is greatest to adolescents and therefore were comprehensive on most sections regarding the tv industry. Programs had been taped from 11 channels 6 commercial broadcast companies (ABC, CBS, Fox, NBC, UPN, and WB) and 5 cable sites (BET, Cinemax, HBO, MTV, and Showtime). The Steve Harvey Show, Moesha, Fresh Prince of Bel Air, One on One); WB, which tailors its programming to white youth, with programs such as Gilmore Girls, 7th Heaven, Sabrina, and Smallville; and MTV, which shows music videos and other programs (e.g., dating reality shows) watched by many teens and young adults because the content analyses were part of a larger research project on television exposure and adolescent sexuality, several networks were included because of their appeal to young audiences including UPN, which televises a substantial number of programs with young African American characters ( e.g.

Composite week sampling designs have already been utilized in past content analysis studies to acquire representative types of television development (Kunkel et al., 1999, 2001, 2003; Madden & Grube, 1994; Wallack, Grube, Madden, & Breed, 1990; Wilson et al., 1997). This sampling strategy involves arbitrarily choosing times of the week or particular time slots for recording over several weeks to cut back possible bias that would be introduced if all taping had been done in just a calendar week that is single. Recording regarding the test took place mainly more than a 7 period in the fall each year week. Because season premiere episodes are staggered through the thirty days of September, we started taping when all nonsyndicated show had been showing episodes through the season that is current. Each week, three various times of the week had been arbitrarily selected for taping from all 11 channels, along with 7 days of this week represented 3 x when you look at the sample. The 8 hour time block for taping extended from 3:00 p.m. (of which time most youth are away from college) to 11:00 p.m. (through prime time). The entire process of recapturing missed episodes (like those which is why the satellite sign ended up being lost or even the show was pre empted by sporting or other events that are special continued for the winter season.

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